The BOOKPRESS | November 1998 |
Not your typical Irishman, he peeled
potatoes and scoured pots and pans as readily as he chopped wood or planted
a vegetable garden. He seldom relaxed even with a book—he was a history
buff—or newspaper and pipe in hand. He rattled the pages, thumped at the
headlines, hunted through his pockets for matches or tobacco. The sheer
vigor of his disposition, the peculiar brisk motion of his body suggested
optimism, a certainty that things could be gotten done. It took us many
years to discover the hidden vein of fatalism.
He was born on a "fair-sized" farm
in 1904 in Sligo on the west coast of Ireland. Yeats’s country, between
the sea and the great heathery hump of Ben Bulben. He used to climb to
the summit as a boy to plant the Irish tricolor, which was predictably
shot down by the local police and as predictably replaced by aspiring young
republicans.
When he was eight years old he lost
his father, a progressive farmer, whose family had prospered while he was
alive, but whose widow was left with seven young children to raise. My
father was the third child and the second son; there were five sisters.
Relations stepped in, an uncle in particular, who put the boys, "humpty-backed
rogues," to work in the fields while the girls looked after the chickens
and geese. Their mother was explicit enough: unless everyone helped, they’d
all be sent off to the poorhouse.
Despite the harsh facts of his early
life, Father’s stories were usually full of gaiety and adventure. He was
fond of telling us about his own school years, mainly about tricks played
on the way to school—like riding horses and donkeys belonging to neighbors
until they were bucked off—and the perpetual skirmishing with the schoolmaster.
A favorite joke was to bring in hazelnuts along with the daily offering
of turf. In the midst of a fire they would burst, shooting through the
room to provide a glorious climax to the lesson. Punishment was brisk:
a rod smartly applied to the upturned palms of the usual culprits. But
the undercurrent of rebellion was never checked. If the master routed them
all one day, he found mysterious holes in his bicycle tires the next.
Judging from the family skills, lessons,
when they could be gotten to, in an ordinary Irish classroom centered around
poetry and math. At family parties, if they were not talking death or politics,
it was not unusual for someone, adopting a formal rhetorical stance, to
offer lines from a poem. Father preferred to regale us with favorite and
lengthy passages, usually by Walter Scott, as an incentive to housework.
The more inappropriate the occasion, the better he liked to play out the
lines in curious, lilting mockery. Thus, peeling a mound of potatoes:
Where danced the moon on Monan’s
rill,
And deep his midnight lair had
made
In lone Glenartney’s hazel shade... His feeling for the old language
nonetheless ran deep, linking him perhaps to the voices of his childhood.
When he was dying in New York in 1983, he prayed in Irish.
There was always a measure of dissent
between our parents on the subject of the Old Country. Father liked to
give us all the down-to-earth details. "Disgusting!" Mother would call
them, yanking at the lace curtains. But Father would go right on talking
about the bonhams—young pigs—snuggled in by the fireplace, or describe
with relish some awful practical joke, like the time he and some friends
found a neighbor in a drunken stupor with his donkey and cart in the middle
of the road. With consummate patience they dismantled the cart and then
reassembled the whole rig, the beast included, inside the man’s house.
As a parting gesture they covered the windows with sod, so the poor man
woke up thinking he was in hell. "He was sober a long time after that one."
Father remembered shipwrecks off
the western coast of Ireland during World War I. Timber and other useful
articles would float in with the tide—once a big bay horse made it to shore
still tethered to the heavy wooden stall: "Whoever got their mark on it
before it touched dry land got to keep it, that is, if the police did not
get there first—and they could not be everywhere..."
There were other sea stories, too,
because some of the family had lived on Inishmurray Island, some nine miles
off the coast of Sligo. A place of sudden, violent storms where a boat
had to be maneuvered skillfully to avoid hitting the rocks where you went
ashore at Clashymore Harbour. The island has a long, eventful history recorded
in the annals as early as the seventh century. There is an ancient cashel
on the island which may be pre-Christian in origin; the remaining artifacts
reflect a curious admixture of Christian and pagan elements. The stone
enclosure contains several buildings, two of beehive construction; there
are chapels and a schoolhouse. Inishmurray was once a pilgrimage site;
the stone stations and large "praying stones," some with curious holes
in them, are still visible around the perimeter of the island. There are
local accounts of miracles and Viking raids; certain marks near the main
chapel are reputed to be the bloodstains of scholars killed by raiders
in 802. In the l9th century, however, it was an ideal spot for poteen makers
who lived comfortably in sturdy houses apart from the war and famine that
periodically swept the mainland. Along with the "praying stones" on the
island, altars were still to be found on which "cursing stones" had been
placed. According to the story, these were used against the odd tariff
man who attempted to levy a tax on the islanders. Turning the stones counterclockwise
and pronouncing the appropriate curses made it difficult for him to reach
shore alive. It was a solution with ample precedent in Ireland:
They cursed him in his flesh and
bones,
And daily in their mystic ring,
They turned the Maledictive Stones Michael, my father’s older brother,
died at 17 from wounds received in a futile attack on a military garrison
in 1919. A bomb he was carrying exploded in his hands. When he died a few
days later, he was buried secretly in an unmarked grave, his name, along
with my father’s, still on a list of wanted men. The family feared reprisals.
Their house might be burned like so many others in the village of Cloonelly;
someone else might be killed. But we only learned this gradually. At first
we heard Michael had died from a fall, and then that he had died of a weak
heart, which is what they told the militia hunting for him after the attack.
There was a sister, too, whose story
was always eclipsed by the story of Michael, to whom Father was deeply
attached and for whom he always grieved. That was Ann. She was recovering
from pneumonia when a storm came up while the hay was being gathered in.
Because, at 15, she was the oldest and strongest child at home, she went
out to help in the fields, suffered a relapse and died. No doctor would
come because of the curfew. I know little else about her except that she
could not be persuaded to stay inside. She had the family stubbornness
all right. I think of her now as one of those anonymous women who stand
in the gap just behind the front lines. About whom no songs are sung, though
the war killed her just as surely as it killed her brother.
Father also fought in the Anglo-Irish
war and was with the artillery unit that shelled the Four Courts at the
start of the civil war. Thereafter he served as a medical corpsman, more
and more troubled by the mounting casualties, the hatred and the waste
of life. He served in the cavalry, nursed IRA prisoners on hunger strike,
was promoted to sergeant major and then landed in jail, having fired a
shot that accidentally pierced the cap of a Brigadier McHugh. As he told
it, it was a war that veered sharply in direction and intensity. There
were pleasant lulls when the men took Irish dancing lessons in Castlebar.
But his best friend was killed by a sniper as they walked together through
that same town. It was guerrilla warfare marked by ambush, bloody reprisals,
and a lot of dirty detail work. From one of these ambushes he once rescued
his old schoolmaster, who had lost an arm but was still able to joke: "If
you only knew it was me, Danny, you’d have taken much longer to get through."
After all this he never imbued us
with any hatred of the English, but with a sense of his own gaiety and
courage as a young man. I realize now that telling those stories, imprinting
them on our minds as children, was his way of recuperating what was lost.
When he was not talking, Father appeared
unassuming, even nondescript in well-worn blue or brown gabardine. In later
years, earning a decent salary, he scarcely changed; he never developed
the acquisitiveness of the middle class. Apart from books and a few pieces
of clothing, his belongings, including the journal he left to us, could
be fitted into one bureau drawer. But his modest manner concealed a fierce,
fundamental pride. Though he was well- read and politically astute, he
would listen deferentially to men in suits who had a better formal education.
He was respectful toward nuns and priests. We knew, however, that beyond
a certain point, moral or political, he would not budge.
Only after his death, I discovered
that he had taken part in the army mutiny of 1924. After nearly five years
of fighting to establish an Irish government, he took up arms against it.
What were his motives? Outrage? Disillusionment? Loyalty to officers he
served with? It appears that, with an end to civil war, many of the old
social barriers were re-erected. Men who had fought well were cashiered,
their places taken by the better-educated and those with family and political
connections. Perhaps that was it. The fact remains that when his ambulance
was used secretly by the rebels to ferry rifles and machine guns, he agreed
to join them. After the mutiny collapsed, he was broken to the ranks and
sent to the Curragh for "retraining." He received an honorable discharge—all
the grievances to some extent recognized—but he was a marked man after
that. In a sense I owe my existence to that mutiny. When the military hierarchy
offered to review his case in Dublin, he turned them down. In 1927 he took
the boat to America and never went back.
Maureen Waters teaches
English at Queens College. This piece is excerpted from her nearly-completed
book, Crossing Highbridge.
He was a sturdy, purposeful man
with blue eyes, black curly hair and a provoking smile. When he was about
to tell us a terrible joke, the corners of his mouth would twitch, and
we knew we were in for it. "Success to temperance," my father would blithely
intone, swallowing a glass of whiskey. There was a ritual quality to these
jokes which we came to expect along with regular meals and a certain testiness
about the electric bill.
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